Tuesday, January 28, 2020

Professional Development Of Teachers Education Essay

Professional Development Of Teachers Education Essay This study is to examine the role of leadership in teacher professional development in Chinese Independent Secondary Schools in Klang Valley. The specific variables that will be investigated include teachers perceptions of teacher professional development; teachers expectations as well as the principals role in facilitating teacher professional development. Developments in leadership will lead to changes in the ways teachers work. These will subsequently increase the need to review teacher professional development. The purpose of this research is to establish how the dual of the principal and the teachers manifests itself in professional development. This research will be significant as it will examine the voices of teachers on how leadership contributes to teacher professional development. The research will be conducted using qualitative methodology. It will be based on a case study of two Chinese Independent Secondary Schools in Klang Valley. Data will be collected using questionna ires and follow up interviews which will be administered to elicit responses from principals, deputy principals and teachers in both schools. The findings will reveal the need for teachers in Chinese Independent Secondary Schools in Klang Valley to engage more in teacher professional development programmes in order for them to have a better understanding of the concept. This study will also demonstrate if teacher professional development should be the core work of both the principals and teachers in order to create a learning environment in their schools so that both can develop professionally. Based on the results obtained in this study, we will determine if Chinese Independent Secondary Schools in Klang Valley need more awareness in teacher professional development and how it will influence the leadership. Keywords: Leadership, Principals, Teachers, Teacher Professional Development, Teaching and Learning INTRODUCTION The purpose of this proposed qualitative study is to help principals of Chinese Independent Schools in Selangor and their supervisors understand the interaction of leadership capacity and distributed leadership practices as they relate to professional development within a school. The study will capture leadership practices in an effort to reveal how the practices impact on the professional development of the teachers. The overall question under consideration is: How do schools and school leaders understand capacity building while using that process to build and/or sustain a culture for professional learning? The intention is to understand more about systems that promote professional development and as a result contribute towards school development. The role of the principal in facilitating the development of organizational learning and capacity building via professional development related to instruction, student achievement, leadership roles, inquiry, teacher engagement, vision, goal setting, shared norms and values will be examined using case study methodology. Interviews, open-ended survey results, focus groups, and documents as well as environmental observations will be analyzed to reveal the role of the principal in this context. The case studies will examine the behaviors, actions, and interactions of principals and teachers within schools where leadership and professional development is considered to be in place through formal and informal structures established at the district and building level. All of the principals in the study are from the Chinese Independent Secondary Schools in Selangor. Qualitative research is proposed in order to examine and articulate practices related to school leadership and professional deve lopment. Four case studies are proposed to help inform established and new principals embrace the paradox of leadership with purpose as well as an understanding that each story needs to be told in order to meet the obligation of building knowledge as part of a schools culture. Teachers are the main resources of an education system. They have important roles and responsibilities to exercise in the teaching profession and to mould students in accordance with the changing social needs. Therefore, professional development needs of teachers constantly change and develop along with the changing expectations regarding the quality of education, the changing social needs, technological changes and the effect of technology on learning, the change in student population, and the transforming paradigms in learning and teaching. Professional development of teachers is a must for school improvement and educational change. It is useful not only for teachers, but also for students, school administrators, parents, families and colleagues. Thus, it can be considered as both an individual and social implementation. In other words, investment on teachers is an investment on individuals whose consequences are directly reflected in the society as well. Professional development involves teachers acquisition of knowledge, skills and attitudes addressing improvements in education. It compensates the lack of education in pre-service training with the help of regular in-service training. Therefore, it can be considered as a process which starts in pre-service training and goes on with in-service training till the end of the profession. Teachers professional development is generally defined as activities such as seminars and set-courses which aim at training teachers through in-service training (Odabasi Kabakci, 2007). It is also defined as any kind of teaching-training activity to meet teachers needs that is necessary for their professional growth and development (Seferoglu, 2001). According to a broader definition, professional development consists of processes and activities designed to enhance the professional knowledge, skills and attitudes of teachers so that they can improve the learning of students. Therefore, professional development is a process that is intentional, ongoing and systemic (Guskey, 2000). The purpose of any professional development program is to inform and change teacher behavior as a result of new information. To achieve this purpose, educators spend countless hours on professional development activities, learning to use new instructional strategies or materials (Barnett, 2003) since the   professional development of teachers must be an on-going process of refining skills, inquiring into practice, and developing new methods.Professional development leads to knowledge acquisition on the one hand and update of current knowledge and skills on the other. In this respect, the advantages of professional development can be listed as follows (Librera et al., 2004). Professional development: Ø   ameliorates the field of application, Ø   helps teachers and students meet their individual or mutual needs by providing them with the opportunities to reflect on their personal experiences, applications and research, Ø   orientates professional experiences of high quality in schools, Ø   contributes to educational policies in heightening standards, Ø   helps teachers understand and explain ICTs. Most countries in the world consider teacher training as a crucial subject, and so does Turkey. Teacher training has several qualitative and quantitative insufficiencies in several countries. Regardless of the quantitative adequacy of teachers, professional development of teachers remains one of the most glaring problems of teacher training. Pre-service teachers still have the chance to develop themselves since they are still within an educational institution as learners. However, in-service teachers might find themselves abandoned as they have started working and hence feel deprived of constant mentoring and guidance. The only solution to sustain lifelong learning in Turkey is to provide in-service teachers with constant support through regular and effective professional development activities

Sunday, January 19, 2020

What works in America :: Culture Cultural Essays

What works in America Jennifer Mancini's parents were born in Italy and immigrated to America just before they had two daughters, Jennifer and her sister. They left a country whose culture stressed close family ties, traditional food, traditional ways of preparing food, and strict social customs. It is Italian tradition that family stick together through the hard times; parents are always there for their children and children are always there for their parents. When the Mancinis came to America, they were forced to abandon many of their customs; in fact, all they held on to was a bit of the old language and their Italian food. Through the experiences she and her family have endured, Mancini believes that "people eventually will assimilate to a more mainstream culture over time, even if they didn't plan to or want to.Just like the old saying goes: 'When in Rome do as the Romans do.'" Although most immigrants are reluctant to stray from how they have learned to live, it will help them to give up much of the ir old ways and accept the dominant culture America has to offer. Rejecting or simply not being able to stray from one's previous culture results in negative responses from the mainstream American culture. Ronald Takaki, a professor and historian at the University of California at Berkeley, shared his view of immigration along with personal experiences in his essay entitled "A Different Mirror" Takaki, a second generation Japanese-American, describes how his appearance erected a barrier between himself and an "American." His experience begins inside a cab on the way to a conference on multiculturalism. The driver and Takaki chat for a few minutes until the middle-aged white man in the front seat notices something odd, his passenger looks foreign yet speaks perfect English. Takaki explained to the driver that he had lived his entire life in The United States and is a true-blooded American. Takaki tell us that, "Somehow I did not look 'American' to him; my eyes and complexion looked foreign" (589). The cab driver immediately assumed that a foreigner had entered his car because Takaki did not look like all the other "Americans" that ask for a ride. His eyes were slanted and his complexion a little darker than the norm, too dark and slanted to be from this country. That is the difficulty with immigration in America today. The American people often are not open enough to get past the differences found amongst ethnic backgrounds.

Saturday, January 11, 2020

The Dead Child

Significant Lines1. â€Å"Why, oh why, did the memory of that dead child seek me out today in the very midst of the summer that sang?†2. â€Å"I glanced again at that astonishing splash of pink in the melancholy landscape.†3. â€Å"I studied the silent little face. A child who had loved books, solemnity, and decorous attire.†4. â€Å"I realized suddenly that it was a mass of wild roses. In June they open in great sheets all over Manitoba, growing from the poorest soil.†5. â€Å"A scent I have not much liked since the long ago June when I went to that poorest of villages-to acquire, as they say, experience.† Insightful Comments6. Each flower/rose holds a precious memory.7. Life is full of harsh moments. However the simple, yet precious things in life make up for the murky moments.8. The flowers signify the hope, found in a place surrounded by darkness. ( The light at the end of the tunnel)9. The value of a child’s memory is worth more than all the riches in the world.10. Yolande, a rose grown from the poorest soil. A brilliant, pure, and innocent rose. The theme of â€Å"The Dead Child† by Gabrielle Roy is about how a simple action can have a massive impact on our surroundings. In other words never underestimate the power of a simple action. In the story we are introduced to a group of Mà ©tis students, who are under privileged and are taught in poor working environments. Already we can see that these students do not have very much – money wise-. Despite their lack of necessities they were still able to give the gift of kindness, respect and love to their close friend Yolande.Their simple act of kindness not only changed their perspective on death but it also opened their hearts and allowed them to connect with their teacher throughout their moments of grief. By simply visiting Yolande before her burial helped the students cope with their misery and lift all the emotional weights from their tiny shoulders. Not only did they show others that Yolande was not alone but they also proved to themselves that they were strong enough to understand death. As they are picking the flowers they are reminded of the hope among them and that everything will be okay. I think the reason why this theme was used in the story is to allow readers to take the time to think about their actions and how it can affect themselves and their surroundings no matter how diminutive  the action may be- like many people say actions always speak louder than words.The face in my image is Yolande. The ribbons of colors caressing Yolande’s face represent all the feelings that were present throughout the story. Blue symbolizing sadness, white symbolizing purity, yellow symbolizes the imperfections in life and pink represents hope. The black background is the soil in which the roses grow out of and the same soil that will hold Yolande’s body where she too will become a rose. The large stream of rose petals r epresents the innocent and simple actions of the children. If you picture a stream they are usually calm and quiet but if you look closer streams are also abundant filled with life just like the students in the story.The tiny bits of roses represent all the memories the children had with Yolande; each rose petal builds a larger rose. At the end of the story the children form a circle around Yolande and console themselves by telling one another â€Å"She must have got to heaven by this time.† Or â€Å"She must be happy now.† For a child to experience such a mature feeling is not only incredible but at the same time fascinating, and so all of these emotions have engraved their names onto the rose signifying an important moment in their lives, the moment when they learnt how to cope with grief and death.As a result of their simple acts of kindness each child’s memory, feelings and actions make them a beautiful rose. All these relate back to the theme because they i llustrate all the wondrous things the children and the teacher were able to experience and achieve through a simple action despite all the emotional, and mental struggles each character went through.

Friday, January 3, 2020

The Chac Mool Statues of Mexico

A Chac Mool is a very specific type of Mesoamerican statue associated with ancient cultures such as the Aztecs and Maya. The statues, made of different types of stone, depict a reclined man holding a tray or bowl on his belly or chest. Much is unknown about the origin, significance, and purpose of the Chac Mool statues, but ongoing studies have proven a strong link between them and Tlaloc, Mesoamerican god of rain and thunder. Appearance of the Chac Mool Statues The Chac Mool statues are easy to identify. They depict a reclining man with his head turned ninety degrees in one direction. His legs are generally drawn up and bent at the knees. He is almost always holding a tray, bowl, altar, or other recipient of some kind. They often are reclined on rectangular bases: when they are, the bases usually contain fine stone inscriptions. Iconography related to water, the ocean and/or Tlaloc, the rain god can often be found on the bottom of the statues. They were carved from many different sorts of stone available to Mesoamerican masons. In general, they are roughly human-sized, but examples have been found which are larger or smaller. There are differences between Chac Mool statues as well: for example, the ones from Tula and Chichà ©n Itzà ¡ appear as young warriors in battle gear whereas one from Michoacà ¡n is an old man, nearly naked. The Name Chac Mool Although they were obviously important to the ancient cultures that created them, for years these statues were ignored and left to weather the elements at ruined cities. The first serious study of them took place in 1832. Since then, they have been viewed as cultural treasures and studies on them have increased. They got their name from the French archeologist Augustus LePlongeon in 1875: he dug one up in Chichà ©n Itzà ¡ and mistakenly identified it as a depiction of an ancient Maya ruler whose name was â€Å"Thunderous Paw,† or Chaacmol. Although the statues have been proven to have no relation to Thunderous Paw, the name, slightly changed, has stuck. Dispersion of the Chac Mool Statues Chac Mool statues have been found at several important archaeological sites but are curiously missing from others. Several have been found at the sites of Tula and Chichà ©n Itza and several more have been located in different excavations in and around Mexico City. Other statues have been found at smaller sites including Cempoala and at the Maya site of Quiriguà ¡ in present-day Guatemala. Some major archaeological sites have yet to yield a Chac Mool, including Teotihuacà ¡n and Xochicalco. It is also interesting that no representation of the Chac Mool appears in any of the surviving Mesoamerican Codices. Purpose of the Chac Mools The statues — some of which are quite elaborate — obviously had an important religious and ceremonial uses for the different cultures that created them. The statues had a utilitarian purpose and were not, in themselves, worshiped: this is known because of their relative positions within the temples. When located in temples, the Chac Mool is nearly always positioned between the spaces associated with the priests and that associated with the people. It is never found in the back, where something revered as a deity would be expected to rest. The purpose of the Chac Mools was generally as a place for sacrificial offerings for the gods. These offering could consist of anything from foodstuffs like tamales or tortillas to colorful feathers, tobacco or flowers. The Chac Mool altars also served for human sacrifices: some had cuauhxicallis, or special recipients for the blood of sacrificial victims, while others had special tà ©hcatl altars where humans were ritualistically sac rificed. The Chac Mools and Tlaloc Most of the Chac Mool statues have an obvious link to Tlaloc, the Mesoamerican rain god and an important deity of the Aztec pantheon. On the base of some of the statues can be seen carvings of fish, seashells and other marine life. On the base of the Pino Suarez and Carranza Chac Mool (named after a Mexico City intersection where it was dug up during road work) is the face of Tlaloc himself surrounded by aquatic life. A most fortunate discovery was that of a Chac Mool at the Templo Mayor excavation in Mexico City in the early 1980s. This Chac Mool still had much of its original paint on it: these colors only served to further match the Chac Mools to Tlaloc. One example: Tlaloc was depicted in the Codex Laud with red feet and blue sandals: the Templo Mayor Chac Mool also has red feet with blue sandals. Enduring Mystery of the Chac Mools Although much more is known now about the Chac Mools and their purpose, some mysteries remain. Chief among these mysteries is the origin of the Chac Mools: they are found at Postclassic Maya sites such as Chichà ©n Itzà ¡ and Aztec sites near Mexico City, but it is impossible to tell where and when they originated. The reclining figures likely do not represent Tlaloc himself, who is usually depicted as being more gruesome: they could be warriors who carry the offerings to the gods they were intended for. Even their real name – what the natives called them – has been lost to time. Sources: Desmond, Lawrence G. Chacmool. Là ³pez Austin, Alfredo and Leonardo Là ³pez Lujan. Los Mexicas y el Chac Mool. Arqueologà ­a Mexicana Vol. IX - Num. 49 (May-June 2001).